A Door Behind A Door

To get to Hell,’ he says in a low voice, ‘they take you through America. There is a door behind a door.’

My partner and I read the dreamiest, most evocative experimental novel recently, A Door Behind A Door. Yelena Moskovich has created perhaps the ideal read for this bizarre moment in time: a loose-yet-considered dreamscape that pulls together the 1991 Soviet diaspora, Jewishness and identity, queer desires, a murder mystery, romantic and familial love, and micro- and macro-level power dynamics, with a sprinkling of incarceration politics thrown in for good measure. It is neither fish nor fowl nor good red herring – Moskovitch has delivered us a compact, fragmented fever dream that is just as much a novel as it is extended poem and expansive allegorical metaphor. Gradually you will feel increasingly unmoored from reality while simultaneously honing in on every word and sentence, so deftly does she utilize nuance and precision of language. A Door Behind a Door is utterly unlike anything I have ever read. Haunting, sexy, violent, and thought-provoking, pick up this novel and buckle up for the post (post?) pandemic read you didn’t know you needed.

This post contains affiliate links. Thank you for supporting more musings!

The gift

“… burn this candle to embrace your entire spectrum of identity and bloom like never before.” — Boy Smells

Just before my birthday last summer I was out shopping and eating with friends in LA, and I stumbled upon a candle in a little shop that I kept coming back to. The vessel was a bright, shiny gold, with an artful label of all text. The scent was deep and woody, and the name? “Polyamberous.” The quip made me smile, as I always love a good wordplay. It took me a bit to decide between it and another candle I liked as a little gift for myself — I was apprehensive about making it mine, to be honest, in more ways that one. I finally said “yes” to it in my head, and as soon as it found a home on my nightstand, I felt seen. Yes, I was – I am – polyamorous. I wasn’t out to anyone but myself, and I wasn’t seeing anyone yet. But I felt like I had finally embraced this part of me.

The smell of amber and tonka bean is heady and rich, much like my life these days. I’m grateful and scared and learning and growing every day. What I am not doing every day, though, is asking myself, “what’s wrong with me?” Not anymore. And that, more than anything, is the true gift — a gift to myself that was long overdue.