Matter

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Bleu II, Joan Miró

Matter

 

I could really fuck myself up over a boy like you

(and by “I could” I mean “I am”)

with that slow crooked smile,

that kindness, that quick-witted humor that makes me smile

until you shatter me with silence.

Those stupid beautiful eyes twist me up, make me ache,

make we crave/need/want

as only a book-loving writer of a boy could (and can, and does).

 

A constant state of yearning is de rigueur as long as you’re here

yet not here, as present/absent as a quantum reckoning.

Oh, honey — you’ve fucked me up bad and I’m off to the races,

off-kilter, off in dreamland as I wait wait wait for you to wake up,

to love me, to make me feel like I matter, am matter, am solidly a part

of that life you keep close to the vest that I so desperately want to inhabit.

Thumb is out for this hitchhiker, this will o’ the wisp black-hole-dense dreamer

who loves you and might even gift you her smile

if you would only open your eyes.

–Charla M. DelaCuadra

balance point

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Paris, 2019

 

balance point

 

In some ways you are good for me
these turning twisting wider horizons
in which I can feel myself opening
broadening, stretching,
a cat just awoken.

And yet,
it pains me to be in your world and not of it
a phantom voice without sound, only words
adrift in maybes and if-onlys
hopes dashed
feelings bruised
hands bereft
of the warmth
of you.

My heart smiles and aches.
Two sides of the coin
that is loving you
from the sidelines
of your life.

They say perspective is everything.
Perhaps I feel I am haunting your margins
but in your world
I am writ large…

And yet,
there I am
falling into the trap
of maybe,
with steel jaws to crush me
if I dare hope.

I struggle in that vicious in-between.
I am too much and not enough.
You would think I could be enough, be just right —

And yet —
I am both and nothing.

If only I were to find the fulcrum,
that razor of a balance point,
I might finally
be your perfection
writ large.

–Charla M. DelaCuadra

Tuesday

sonia_delaunay_colored_rhythm
Sonia Delaunay, Colored Rhythm, 1946

 

Tuesday

 

I’d like to package up my life

all the bits that make it up

and place it on a shelf

in a white box

tied up with a golden satin ribbon —

leave it there

safe

for a while

while I try on something 

new.

–Charla M. DelaCuadra

status quo

puig_tiny_figure_and_shadow
Agusti Puig, Tiny figure and shadow, mixed media on canvas, 24 x 18 in, 2017

 

today I rock the boat

ripples in a pond radiate out into my world,

effects unknown but stillness is hoped for

in a far-flung eventuality

where I receive comfort and hope

solace and acceptance

instead of giving until I am empty

pouring myself out into a mold

I have not chosen

until no longer recognize

the shape I have taken

in the name of harmony

cost unrealized until it becomes

too high to bear.

ragged and strung out are my

feelings

soul

breath

a collage I am finally able to view from above

if not with clarity, then compassion

and a small bud of resolve

to pick up the pieces

and reshape them

until the self I so long to be

blooms

even if the glue

must be my own

sinew and bone.

–Charla M. DelaCuadra

 

 

conditional retraction

schiele_sitting_woman_with_legs_drawn_up
‘Sitting Woman with Legs Drawn Up’ by Egon Schiele (Narodni Galeri)

 

(for now) there is stillness amidst

what was once her maelstrom

whirling slowed into a lilting-soft song/dance

less frightened, more eager

no longer slamming her body against the walls

of an invisible cage

(for now) she is perhaps not sated, but quiescent

he has soothed the beast within

brought her light

velveted the darkness

into an appealing purple twilight

she has sheathed her claws

(for now) they do not reflect the cold moonlight

instead (for now) she allows his warmth

to thaw her edges

–Charla M. DelaCuadra

 

 

missing vocabulary

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I wish there was a word for that feeling of wishing you had a part

in the happy memories of someone you care about (perhaps too) deeply.

 

It comes with a surge of envy for those that do,

and a queer ache in the chest,

and sometimes even a pricking of the eyelids.

A stab of sadness that feels utterly at odds with the happiness of their memory.

 

I’d hand you that word with my palms wide open — like a gift —

to show you my aching, and how I wish to be more/closer/deeper a part of you.

–Charla M. DelaCuadra