Tuesday

sonia_delaunay_colored_rhythm
Sonia Delaunay, Colored Rhythm, 1946

 

Tuesday

 

I’d like to package up my life

all the bits that make it up

and place it on a shelf

in a white box

tied up with a golden satin ribbon —

leave it there

safe

for a while

while I try on something 

new.

–Charla M. DelaCuadra

“a few good (woke-ish) men,” or vulnerability as an act of courage

pinky_swear

On this beautiful sunny Friday, I’d like to take a minute to talk about vulnerability.  It is perhaps the bravest act one can take, to be vulnerable with someone else, is it not?  To open up, to show someone something real and deep and true, and risk rejection or ridicule when all you desire is to be seen.  Seen and loved.

I watched Brené Brown’s Netflix special The Call to Courage the other night, and I am still thinking about it days later.  Her research on shame, vulnerability, and courage is amazing, but her humor and compassion make it that much more poignant and powerful a presentation.  Brown is witty and insightful, bringing her research together with anecdotes from her own life to show us that we are in it together, we need each other, and we can only forge those connections by being brave.  Highly recommend.

With that in mind, I found Melanie Hamlett’s excellent article to be especially timely.  Hamlett discusses toxic masculinity and the ways it forces women to take on a hugely unequal amount of emotional labor.  This is certainly not news, per se, but in her take, she explores a new wave of men’s groups that are encouraging vulnerability, communication, and mutual support.  Our #MeToo era of “wokeness” seems to have more men thinking hard about their own emotional needs.  Drinking, trying to “get laid,” ogling women, and playing contact sports have traditionally been the only socially-sanctioned ways for men to connect with each other, all of which reinforce painfully toxic tropes about “being a man.”  Furthermore, the idea that men should only be emotionally open with women, and that they should find “their one and only” to connect with, left many female partners shouldering far more emotional work than they could handle.  These small, intimate new men’s groups offer the opportunity for healthy emotional connections, and have the side benefit of easing some of the emotional labor burden off of the women they love.  Win-win.

Perhaps we’ve been onto something all along with our ladies’ nights and brunches with the girls — and thankfully, many men are starting to catch on.  Emotional support networks are necessary for all of us, and outlets for vulnerability — as brave as one must be to go there — can only make us stronger.

Art by Explicit Design via society6.

Beginner-ings

As you might guess, my drive for perfection makes it difficult to be a beginner.  Recently I started taking ceramics classes, though — and when you start something new, you have no choice but to start at the beginning.  Time for beginner-ing.  Ooof.

I’ve wanted to learn to throw pottery for ages.  Something about the instant gratification that comes with a guided touch on clay, the graceful turning of forms and hands on a wheel, and the wabi-sabi imperfections that make up a particularly stunning glaze — all of these things have beckoned me for quite some time.  Rather than wait until I had some time, I finally decided to make some time this month to make it happen, and I am so glad I did.

The wheel and the clay both have their own learning curve, I have realized.  Gravity and centrifugal force have their own demands as well.  There is a sweet spot to be found between clay that is wet enough to become what you envision, and too wet to maintain the form you’ve shaped.  There is a strange satisfaction in trimming a piece, leathery clay spinning in ribbons off the wheel as you uncover the shape you’re imagining.  And there is a magical alchemy to glazes — the way minerals and heat combine to transform into something unexpected and beautiful.  That minty-green goop you just dunked a bowl into?  Of course it is going to be cobalt blue when fired.  Fascinating, yes?

Beginner’s mind is a challenge to get into as an adult.  Our society demands knowledge, know-how, swagger, confidence, momentum.  Being a beginner requires curiosity, surrender, awe, wonder, and acknowledgement of another’s superior skills.  It requires you to be open, vulnerable, and even silly.  It requires resilience.  A beautiful bowl can become a lopsided twist of clay in a heartbeat, and all you can do is laugh, smush and knead, and begin again.  I’m working on squishing down my irritation along with my misshapen clay, working on laughing and shrugging my shoulders, working on going with the flow, working on embracing a “flawed” piece as one I can learn from and experiment with.  And you know what?  It’s fun.  It’s hard and messy and fun.  And I am learning.

I have yet to fully complete a piece yet, so this is all about the journey so far.  Considering how results-driven I can sometimes be, I am surprised how much I am relishing it.  Each step is new and different and hard and exciting.  I’m eager to see how my work will turn out once it’s been fired, of course, but (shockingly) I’m even more excited to keep learning and creating — because there is so much to enjoy along the way.

Xenogenesis

lilliths_brood_cover_artI recently finished reading Octavia Butler’s Xenogenesis trilogy, and just had to share.  Published under the collection title Lilith’s Brood since 2000, it is made up of three novels: Dawn, Adulthood Rites, and Imago.  Butler is an excellent storyteller, with a “hard science fiction” bent in this trilogy that is satisfying as well as thought-provoking.

The series takes place in an interesting sort of dystopian future, where humans have destroyed Earth and each other almost completely.  An alien race steps in to save what is left, hoping to trade genetic material to ensure the survival of both humanity and themselves.  The aliens believe humankind, if left unaltered, contain a “Contradiction” between their high intelligence and their hierarchical nature that will lead to eventual demise in every scenario, as was already proven by our destruction.  A fascinating thought to consider, isn’t it?

While my own personal prose style preference strays closer to that of Amor Towles, thematically Butler does a masterful job of exploring sexuality, race, species, gender, and humanity — deftly and also in an entirely un-preachy way.  While decades old at this point, Lilith’s Brood is almost frighteningly relevant to us today.  Are we doomed to obliterate ourselves without some kind of outside intervention?  Can our intelligence outweigh our hierarchical strivings?  Is our stubbornness a boon or a hindrance?  It may be that history will have to play itself out before we can answer these questions, but Butler gives us a powerful nudge to think about these things sooner than later — all tied up in an engaging alien-encounter package.

Octavia Butler cover art by John Jude Palancar.

status quo

puig_tiny_figure_and_shadow
Agusti Puig, Tiny figure and shadow, mixed media on canvas, 24 x 18 in, 2017

 

today I rock the boat

ripples in a pond radiate out into my world,

effects unknown but stillness is hoped for

in a far-flung eventuality

where I receive comfort and hope

solace and acceptance

instead of giving until I am empty

pouring myself out into a mold

I have not chosen

until no longer recognize

the shape I have taken

in the name of harmony

cost unrealized until it becomes

too high to bear.

ragged and strung out are my

feelings

soul

breath

a collage I am finally able to view from above

if not with clarity, then compassion

and a small bud of resolve

to pick up the pieces

and reshape them

until the self I so long to be

blooms

even if the glue

must be my own

sinew and bone.

–Charla M. DelaCuadra